August is About Bodies

We are now beyond the polite sundress season, way past hiding bra straps and donning breezy cardigans. In almost any weather, I prefer layered clothing. Just as socks protect me from blisters, keeping my thighs and arms under wrap prevents chafing and other discomforts. When you hike and garden and wander as much as I do, you get used to swaddling a body.

Until August. Ninety degrees and 100% humidity is my breaking point for modesty. I wake up every morning itching mosquito bites along my ankles and calves. I am acutely aware of what a damp, needy, sensitive body I have, all the livelong month. It’s too hot to feel shame or do anything but seek shelter and cling to relief (as calamine lotion or aloe gel or a tower fan or a glass of ice water).

August is about surrender. August is about bodies.

Comedians and Kids Books: The Problem with Jumping on the Bandwagon

I should start off by saying that perhaps it is more of a British occurrence than North American, but the wave of comedians finding newfound fame and success by writing children’s books is still going strong, regardless of how far it has spread.

It began a few years ago when comedy writer and performer David Walliams, known for his lewd sketch shows and bawdy characters, wrote a number of best-selling children’s books.

Home: A Photo Essay

Of course “home” means many things, and perhaps most importantly, it means people.

It is also made up of objects. Artifacts. Things inside a home are there to make life work, as well as to remind us who we are and where we’ve been. I like going home. After being away, the stuff there evokes memories. If I’m home too long I take these things for granted. I can’t see them anymore. This is a photo essay to help me see again.

Literary Budget: How Should You Spend Your Writing Time?

Writers never have enough time. Even those who aren’t yet writers—the ones who claim they have a book in them, somewhere—don’t have the time to write their novels! Sure, everyone’s heard of NaNoWriMo, but have you actually tried to marathon-write a book in that time? And—here’s the key part—not wanted to throw your laptop or writing pad out the window?

Writing is Hard!

We’ve all, at some point in our writing careers, tried to put that effort into our work to really be satisfied with what we’re contributing to our list of accomplishments.

Notes for An Emergency: A Conversation with Bethany Johnson

Bethany Johnson‘s work contains a kind of calm objectivity. Check out two of her series in the current issue of Newfound Journal.

Johnson delivers lightly removed yet confident gestures, made by a sensitive and observant hand. This deliberate mark-making still contains poetry. In “Field Notes,” Johnson creates beautiful landscapes with her obsessively meditated drawing and in her most recent series, “Notes For An Emergency,” Johnson uses vintage ephemera and photography to collage work that expresses not only an analytical eye, but a deep empathy and exploration as well. Bethany Johnson talks with Newfound about the thought process behind her art practice, how she became an artist and what inspires her.

Soap Operas: Underrated But Still Present

I have a few guilty pleasures. I’m a woman who loves her ice cream, french fries, and soap operas. For a long time, I watched four. This meant four and a half hours of television shows to catch up on after school a day. Nowadays, the demand for soaps have changed and my four dwindled down to one.

I truly believe it is an art form that is dying for the wrong reasons.

The Required Reading Interviews: Daryl Yam

The Required Reading Series highlights voices from across the world, showcasing their opinions and sharing their inspirations. The literary scene, that wide and slippery beast, is fueled by the energy and enthusiasm of its individual parts, as well as a desire to share knowledge and ideas. Here we’ll explore the world’s front line of emerging, beginning, ambitious, desperate and passionate writers, ask them how they came to be writers, what they are reading and why you should be reading those things too.

Daryl Yam is a Singaporean writer of prose and poetry, a co-editor of the SingPoWriMo anthology series by Math Paper Press and an arts organizer at the literary non-profit Sing Lit Station. His first novel, “Kappa Quartet” (Epigram Books, 2016), was longlisted for the 2015 Epigram Books Fiction Prize, and has been released in both Singapore and in the UK.

Writing mostly about topics that inform his identity and personhood, Yam is drawn to stories of freedom and those that explore friendship, sexual and gender identity, the necessity of self-care, and the consumption of art, media, and culture. He takes particular delight in stories that are situated around the world, which feeds his grander impulse to write stories that are trans-nationally, globally situated. Yam is also employed at Sing Lit Station, a non-profit which promotes the reading and writing of Singapore literature.

Joshua King: Did you grow up surrounded by literature, or a creative atmosphere? Or was it something that you discovered by yourself?

Daryl Yam: Home, I would say, wasn’t a particularly “creative atmosphere.” My parents were never the sort, nor were they active consumers of the arts. As the first child however my mother made sure I read plenty of Enid Blyton and the Key Words Reading Scheme when I was little. It seeded within me an essential love for reading that clearly never went away. Eventually my parents would divert their attention to raising my two younger brothers, and so the process of discovering the world of literature lay very much in my own hands. Whenever the family went grocery shopping at Thomson Plaza, for instance, I’d excuse myself and go browsing for books at Popular instead. Once I spent so much time in there I didn’t even realize my parents had gone back home and left me behind.

Writers and Highways

Pairs of red lights blare in the afternoon sun. Though it’s at least 90 degrees out there, my body feels cool inside my Subaru Forester. The air conditioning does its best to tame the heat. A glance at the dial reveals the car’s shrug to my inquiry; Yes, the fan is full blast, and so is the AC—what else do you want from me? Red lights jerk my attention back to the road, probably where it should be anyway.

Hidden Romanticism in the “Post Human” Poetry of Nate Pritts

It is impossible to deny that recent technological developments in biotechnology, cognitive science and “big data” infrastructure have made us, as a civilization and as artists, aware of all that is problematic in technology. We may call this movement toward introspection “post-humanism,” an exploration of technology’s advancements and controversies. This philosophy began as a niche within feminism from Firestone to Haraway, then existed in the cult realm of trans-humanism or as a science-fiction fixture.

“The Former Lives of Saints”: Collaboration, Poetry, and Community

The Former Lives of Saints” is a collection of poetry from Damian Rucci and Ezhno Martin. Rucci is a New Jersey native and hosts the monthly poetry event in the Jersey Shore town of Keyport called Poetry in the Port. He met Martin in Missouri while on a reading tour; Martin still lives there today. Their collaboration on this collection soon followed. The release party for “The Former Lives of Saints” was hosted in Keyport on June 8, 2017.

The Best Available Evidence: A Conversation with Rebecca Marino

Austin-based artist Rebecca Marino is no stranger to the strange. Her photography is often influenced by astronomy and the cosmos and her most recent series, “The Best Available Evidence,” explores the world of paranormal investigation.

The series was inspired by a book discovered in a used bookstore, which generated a personal photographic inquiry into the world of UFO documentation. Her work is as serious as it is playful, found in both the lightheartedness of subject matter and in the thoughtfulness of her photo compositions.

A Writer’s Ego: Proud Artist or Humble Dreamer?

Writing is a skill we learn not too long after we begin to speak, and just like those crooked and spindly characters of our first attempts, the way in which we express ourselves is as unique as the circumstances that led to our existence. Our speech and verbal expressions hold meaning and the words we write are no exception. But where do we draw the line? Where does originality become eccentricity, and at what point is artistic license simply an act of prideful preening?

Jessica Bell’s Memoir “Dear Reflection”: Self-Discovery Amidst a Dysfunctional Family

On the surface Jessica Bell’s life seems like an envious one, being born into a house of indie rockers and growing up to become a writer, publisher and artist. But a closer look at her life, at least the one that she offers readers in her memoir “Dear Reflection: I Never Meant to be a Rebel” (Vine Leaves Press, 2017), reveals it to be one big fucking mess (to put it lightly).

In The Garden of Externalities: A Conversation with David O’Brien

David O’Brien is an artist based in Sante Fe who works in video, printing, installation and painting. Recently showcased in Newfound’s Other Worlds issue, O’Brien’s work takes a meditative look into the micro-world of humanity’s discarded waste and the implications our enduring monuments of trash leave behind.

Each painting is a hand-printed photograph, screen printed with multiple layers of resin, ink and other materials, and then stretched around a round frame. These geographical studies take on an informative and thoughtful look into what marks we make as a species. In a recent discussion with Newfound, David shares his thoughts on his work, his artistic process and what influences him. You can see more of O’Brien’s work on his website.

Courtney Simchak: How did your Disc paintings get started? What was your inspiration for the series?

David O’Brien: The disc paintings began when I started getting serious about photographing the ground. They are a way to map and document the landscape from my own perspective. Each title is a set of GPS coordinates, accurate within a few feet of the photo.

A Case for Reading Outside Your Genre, or How I Learned To Stop Worrying and Love the Bomb

My new way of breaking the ice with strangers at parties is to ask: In what context and through what source did you first learn about the atomic bomb? (Makes me very popular at parties. Or it isolates everyone. I have about a 50/50 success rate.)

What this question is really asking is, what is your background, what beliefs and ideas make you up, and what lens do you use to view the world?

An Interview with George Spisak, Co-Founder of The Uprising Review

The Uprising Review is a literary magazine that celebrates freedom of speech and invites all perspectives and their unique voices. Founded just recently, the literary magazine is the brainchild of four minds: Everitt Foster, George Spisak, Stephen Willis, and W.O. Cassity.