Blog (page 2)

James Markert Blends Reality with Fantasy in “All Things Bright and Strange”

World War I was a very chaotic time in world history. Soldiers suffered from post-traumatic stress disorder and civilians often lost touch with reality as the world crumbled around them.

Nevertheless, it has been said that history is the greatest teacher even though the life lessons are usually tough to accept. Historical fiction is a great way to introduce readers to bygone eras, and James Markert’s “All Things Bright and Strange” (HarperCollins, 2018) is a powerful novel about illusions and reality within America during the early 1900s.

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Beauty Eases Pain in Judy Jordan’s Poetry Collection “Hunger”

“What would happen if one woman told the truth about her life? The world would split open.” – Muriel Rukeyser

Poetry collection “Hunger” by Judy Jordan (Tinderbox Editions, 2018) is an honest, intimate account of a woman and her pain. The speaker in the poems faces homelessness after an accident that injured a spinal disk in the small of her back. When the hospital bills became too expensive and she fell behind on payments, the hospital seized the narrator’s bank account. Every dollar to her name is given to the hospital, leaving the woman alone, impoverished and homeless. She goes into the forest where she lives in an abandoned greenhouse, with hordes of plants and insects for Jordan to describe in detail. Our speaker is injured and unable to provide for herself, breeding a physical and spiritual hunger.

Jordan uses the protagonist’s unique situation as a playground for poetry and imagery, giving us thick, clamoring descriptions to guide us through this chaotic situation.

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Eclectic Absurdism: Reading Mark Leidner’s Under The Sea

Mark Leidner’s newest book, “Under The Sea” (Tyrant Books 2018), is a collection of short stories that span across time and space, examining the lives of rural Americans, the heartbreaks of a nun, conversations between radicalized ants and far more. Each of these stories feel like a miniature novel, full of unique and engaging ideas.

What I found most fascinating about this collection was the way these stories were arranged. Although none of them are connected (thematically or narratively), there is an impressive flow that forms between them as you read.

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One Portrait Over Time

I couldn’t tell you why it caught my eye or what drew me to it, but somehow, I knew that this one portrait was something I should claim. Like the one puppy you lock eyes with, cementing the desire to be together, the shape and the colors of the picture resonated within me.

“Have you heard back from the artist on this one yet?”

My voice was pitched to sound detached, but I knew I couldn’t entirely hide the hope for a negative answer.

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“Diffusely Yours” by Kate Garklavs Suggests We Are All Connected on an Atomic Level

In the chapbook Diffusely Yours by Kate Garklavs (Bottlecap Press, 2018) each poem is a letter to a person or institution. These poem-letters are playful, absurd and full of private meaning.

The speaker diffuses bits of herself and her very visceral memories to a friend, lover or regular haunt, but it also clear she has absorbed parts of these people and places into herself as well.

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Labor Day in a Beach Town and What It Means

I live in Asbury Park, New Jersey. I don’t know what it means. I just got here.

I moved to a shore town to be closer to work during the final crescendo of summer. On an evening walk last month I overheard a child complain to his mother that it was still too hot, even after sundown. She joked, “We’ll have to start vacationing in Alaska.”

I cannot imagine being a person who uses “vacation” as a verb, let alone doing that verb.

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Making the Tongue Dry: An Interview with Prose Prize Finalist Jen Soriano

Jen Soriano is a Filipinx-American writer whose work blurs the boundaries between nonfiction, poetry and speculative fiction. Her chapbook “Making the Tongue Dry” was a finalist for the Newfound Prose Prize.  Her lyric essay “A Brief History of her Pain” was nominated for a Pushcart Prize and Best of the Net, and her essays have appeared in a number of journals including Waxwing, Pleiades and TAYO Literary Magazine. Jen is an MFA candidate in nonfiction and fiction at the Rainier Writing Workship, and lives in the Beacon Hill neighborhood of Seattle, WA with her two favorite boys in the world.

I’m learning to kick that controlling brain to the backseat and just let instinct allow words to tumble onto the page. – Jen Soriano

Eppinger: My first question is about genre. What do you consider the genre of “Making the Tongue Dry” to be? Elliptical prose? Creative Nonfiction? Something else? Also—does genre matter to you?

Soriano: Genre definitely matters to me, but not in the conventional sense. I care about the ways genre descriptions can work to help readers understand what they are reading. But I don’t care about genre as a rigid container that writers must fit our writing within.

So, to help readers understand my chapbook I guess I’d describe it as lyric essay and hybrid nonfiction. It’s important to me to name that it’s nonfiction because I’m deliberately trying to capture actuality on the page. Each essay in the chapbook grapples with an aspect of reality as I see it.

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“Alpha Bet”: An interview with Jacqueline Kirkpatrick

“Alpha Bet,” a finalist for the 2018 Newfound Prose Prize and chapbook contest, is a memoir told in vignettes and peppered with cross-references like an index of pain in the narrator’s life. It is an intimate work, offering a reader much to process as they piece together a story. 

Author Jacqueline Kirkpatrick took the time to share a bit more with us about her process in creating “Alpha Bet”.

Delaney Kochan: One thing I love about how you wrote this piece is how clearly it teaches the power of sharing emotion by showing scene. When it appears easy, you know you’re reading a talented writer who’s crafted each sentence to be unencumbered with internal narration. What was your editing process like?

Jacqueline Kirkpatrick: It’s probably a terrible thing to admit, however, the most honest response I can offer is that I don’t edit much. One of the first writers I fell for was Jack Kerouac and not long after I started reading him I found the “Essentials of Spontaneous Prose.” I’ve been writing based on that method since. Most of my work is stream of conscious. I pop on headphones, queue up the tunes that bring back certain memories and I close my eyes. I’ve been lucky that it makes sense most of the time but I run the risk that it sounds absolutely bonkers. Those pieces stay safe and in the dark in the filing cabinet.

I almost never edit content.

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“How to be Extraordinary in America”: An interview with Ploi Pirapokin

You know those moments when you’ve realized that even in your effort to be well-versed in something and deeply probe at it, you’ve been asking it the wrong questions the whole time? This is the effect reading Ploi Pirapokin’s essay, “How to be Extraordinary in America,” has.

A finalist for the 2018 Newfound Prose Prize chapbook contest, this piece details her experience of obtaining a “Genius Visa” so she could continue to live and write in the United States. She was gracious enough to chat with me more about her process and underlying beliefs on immigration and belonging.

Delaney Kochan: Tell me about the structure of the essay. Is there something significant about the number 82 or the way you chose to structure your piece?

Ploi Pirapokin: The essay is numbered to reflect the eligibility criteria to qualify for an O-1 visa, as though it were a checklist that needed to be ticked off once completed. I wanted the seemingly never-ending numbers to mimic the arduous process of waiting, and of constantly proving my worth as though it were easy as arithmetic—if I only did X, then I would get my visa; what do I lose when I do Y; what risks do I take if I do Z. 

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Erasure and Apocalypse in Claire Wahmanholm’s “Night Vision”

In Claire Wahmanholm’s poetry chapbook “Night Vision” (New Michigan Press, 2017), the world is transformed and brought to its most primal state after some catastrophic events that readers may never be quite sure of. The chapbook includes 30 poems—21 prose poems and nine erasure poems. (Erasure poetry is a form where an entire page of found text will be erased until only a few words remain. These leftover words form a poem.)

All nine erasure poems in “Night Vision” come from the wildly popular “Cosmos” by Carl Sagan, setting a reader expectation of wonder at the universe.

Loss an destruction are detailed instead, through Wahmanholm’s gripping yet elusive prose.

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Poetic Territorialization: Reading Janice Lee’s The Sky Isn’t Blue

Janice Lee’s “The Sky Isn’t Blue” (Civil Coping Mechanism, 2016) is a gorgeous collection of lyric essays exploring the ways that space and poetry coalesce. Each section of the book examines a different location and all of the associations, thoughts and emotions that have manifested within it.

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I am Prospector, Hear My Sluice Roar!

Balancing a teeming bag on one shoulder and two gold pans and a classifier in the other, I contemplated my path forward. My boyfriend’s boots seemed to glide across the river rocks, and while I hoped for the same result, I had a sneaking suspicion I would do more sliding than gliding.

Scurrying to catch up, I trudged after those brown cowboy boots. Eyes alight with what I would come to know as gold fever, my boyfriend’s excitement had grown that morning as we neared the river. Though we would stagger back up the path to the car a few hours later, his footsteps were quick as we made our way down to the bank. For a man who towered above me, he moved with a grace and ease I could only admire. Turning about in place, he looked at me expectantly.

“Here?”

Nodding, I hoped we had picked a good spot. Though we had visited the same creek bank only a week before, our efforts then weren’t very promising. This time, however, we were prepared. Scouting done, we were in it for real now.

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Beyond “Dualities” in Poetry by Jason Phoebe Rusch

“Dualities,” the debut poetry collection by Jason Phoebe Rusch (Short Flight/Long Drive Books, 2018),  is a coming of age story told in mostly first person. The collection of poetry glimpses into someone’s life, one narrative at a time. Rusch captivates readers with vivid words describing times, places and feelings.

In “What Do You Love About Haiti?” readers get to know a little more about Rusch. He travels, including time in Haiti during an earthquake. The powerful images here suggest he witnessed the aftermath of the 7.0 magnitude earthquake in 2010, as Rusch states:

I’d never seen a dead body
before the earthquake. The earth
that day felt like something moving
underneath, in pursuit…
After the earthquake, I became accustomed
to the smell of death, no longer noticed it
clinging to my clothes, my skin. It became
the norm that houses should look like dioramas,
rooms exposed: staircases twisted and mangled,
kitchen tables tilting.

These words leave the reader uncomfortable yet compassionate. Indeed, uncomfortable yet compassionate is the theme throughout “Dualities.”

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Small fires, dulled senses in the short fiction of Andrew Duncan Worthington

The main assertion of collection “A Very Small Forest Fire” by Andrew Duncan Worthington (Bottlecap Press, 2018) seems to be that the ultimate way to undermine capitalism is to be too bored to participate.

“Assertion” may be too strong a word. These 12 short-short stories employ what I suspect is purposefully dull and vague language, creating characters numbed by the constant stimulation of modern American society. Narrators (often unnamed) drift through recreation activities but don’t have any fun—they don’t feel much of anything. The sparse language evokes Kerouac, but with a more limited vocabulary.

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“Census” by Jesse Ball: An Odyssey from A to Z

Jesse Ball is a respected voice in contemporary fiction, with novels such as “The Way Through Doors” and “How to Set a Fire and Why.” In spite of the dark, depressing and even graphic content in his writing, his work ultimately reveals the enduring power of hope, love and creativity.

Ball is not afraid to write about disturbing topics, which makes his newest novel “Census” (HarperCollins, 2018) a modern masterpiece that presents characters who persevere in the face of adversity.

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Jeff Jackson’s “Mira Corpora” Mixes Journal Entries with Fantasy

When’s the last time you picked up an old notebook?

My notebooks are filled with angry stanzas that could hardly qualify as poetry, doodles of samurai where there should be algebraic equations, and the occasional short story. If you flipped through my old journals and diaries, you could probably learn a lot about me, because I used my journals as a getaway from reality. Or maybe your journal is your archive of your reality.

“Mira Corpora” (Two Dollar Radio, 2013) is a collection of surreal journal entries by Jeff Jackson, a celebrated author and playwright. The book “is a coming-of-age story for people who hate coming-of-age stories” according to Jackson’s website.

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Deep journeys into the psyche with Chaya Bhuvaneswar

Debut short story collection “White Dancing Elephants” by Chaya Bhuvaneswar (Dzanc Books, forthcoming October 2018 and winner of the Dzanc Short Story Collection Prize) plunges readers deep into the psyche of women—largely South Asian women.

Characters have the darkest corners of their minds exposed (through their own admissions or by omniscient narrators) and what comes forth is usually disagreeable. At the same time, well-trodden narratives about immigration are upended regularly.

The main character in “Jagatishwaran” is a woman who refuses to feel gratitude for or awe of a sister who has emigrated to the U.S. “But it’s my sister who’s the smart one, the doctor lady,” she rants to the reader.

“She thinks of us as dull-witted rice eaters waiting for her borrowed Anglo china plates and blue jeans, silk ties and pantyhose, perfume in fish shaped bottles, white linen napkins and forks so we won’t eat with our hands, expensive bolts of brilliant cloth—smelling slightly of glue, precious…”

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