Unleashing the Unconscious: Poetry, Place and Neuroscience in the Art of Kuma Kitsune

Above: Detail from Kitsune’s A Walk Through the Looking Glass.

Kuma Kitsune is a mixed-media artist and photographer living in Portland, OR. Her work incorporates a diversity of materials, such as fabric, projection film, tiny shreds of paper — and, in her most recent installment, other people’s poetry. More of her work can be seen here.

E. D. Watson: Your current work, A Walk Through the Looking Glass, is an assemblage of twenty-four individual pieces, titled with fragments of poetry produced by Hafiz, Ray Bradbury, Mary Oliver, Rimbaud and Lewis Carroll, which form a corresponding poem. Viewers are then invited to re-position the works and create their own poem from the new arrangement of the titles. Can you talk a little bit about how literature influences your work, and how you came to select these particular, seemingly disparate, writers?

Kuma Kitsune: I think what most influences my work is the Surrealistic concept of unleashing the unconscious.