It is impossible to deny that recent technological developments in biotechnology, cognitive science and “big data” infrastructure have made us, as a civilization and as artists, aware of all that is problematic in technology. We may call this movement toward introspection “post-humanism,” an exploration of technology’s advancements and controversies. This philosophy began as a niche within feminism from Firestone to Haraway, then existed in the cult realm of trans-humanism or as a science-fiction fixture.
