No Need to Fear Virginia Woolf

Ever had an existential crisis? Even William Shakespeare’s Macbeth spoke about one fundamental truth within the fifth act of the play: People wake up, live their lives, and then repeat this cycle until life ultimately ends. 

The cyclical nature life is one of the major themes of Michael Cunningham’s Pulitzer Prize-winning novel “The Hours,” a profoundly beautiful tour de force that led to the Academy Award-winning film adaptation in 2002.  Cunningham successfully explores fundamental themes while also making Virginia Woolf a very real person instead of a literary enigma. Woolf might have suffered from mental illness and tragically committed suicide in 1941, but she will remain one of the greatest authors of all time.

A Day for Dalloway

“Mrs. Dalloway said she would buy the flowers herself.” So begins Virginia Woolf’s modernist epic, a quieter answer to James Joyce’s boisterous, poly-vocal “Ulysses.” Unlike Joyce and his tome which we celebrate worldwide on Bloomsday (June 16th), Woolf and her entangled narratives are admired, taught, and read the world over but there’s no day dedicated to Clarissa Dalloway’s trek through London.  

Mrs. Dalloway offers a more complicated portrait of life and love than Molly Bloom’s emphatic yes. In 2016, it seems fitting to celebrate a novel that reflects as much darkness as light.