In Defense of ‘A Watchman’

watchmanNow that the hoi polloi have had a chance to read Harper Lee’s “new” book, I don’t feel uncomfortable writing about it before most people have had a chance to make up their own minds. (Spoiler alert: those of you still on the waiting list at your local public library, I’m going to talk about the way Lee supposedly shreds the moral fiber of everyone’s favorite dad, a.k.a. Atticus Finch, like a log of string cheese. You probably already know about this though, unless you’ve just awoken from a coma. In which case: Hi. Welcome back. )

Catching #FerranteFever

FerranteDOAIf Italian author Elena Ferrante knows about #FerranteFever, the social media hashtag used by fans to describe their obsession with her books, I’d be willing to bet the phenomenon makes her  uncomfortable. Possibly, she’s rolled her eyes about it. That’s because, in this age of selfies and shameless self-promotion, Ferrante is something of an iconoclast, eschewing all public appearances and social media, granting few interviews, and fiercely guarding her true identity (Elena Ferrante is a pen name).

In a rare interview with the author in the spring 2015 issue of the Paris Review, Ferrante declares herself “still very much interested in testifying against the self-promotion obsessively imposed by the media. This demand for self-promotion diminishes the actual work of art, whatever that art may be, and it has become universal.” She then goes on to explain the creative space that opened up for her when she realized that her anonymity would be protected by her publishers. “[It] made me see something new about writing,” she says. “I felt as though I had released the words from myself.”

NaNo FAIL; Or, How Cello Lessons Had No Impact on My Ability to Write a Novel

Last November, I posted about how taking cello lessons inspired me to participate for the first time in NaNoWriMo, or National Novel Writing Month. Since then, a lot of people have asked me how the experiment panned out. I’ve been waiting—partly from shame, and partly for the enhanced perspective that is the reward of time—to admit that I failed to produce a complete novel in a single month.

The last few days of November were excruciating. I woke up on November 30th with my inner voice screaming, “You failed! You are a failure! A fail-y, fail-y FAILURE!” Like I’ve said before, my inner voice is a jerk.

How Cello Lessons Convinced Me to Do NaNoWriMo

There is something liberating about doing a thing you enjoy, even if you know you aren’t doing it well. It feels like skinny-dipping in the town fountain, or giving someone the finger: there’s a defiance, a recklessness to it. If you are a perfectionist, that is.

If you too are a perfectionist, you understand that it goes beyond high personal standards; perfectionism can be crippling. There are loads of things I’ve shied away from because nothing mortifies a perfectionist like a learning curve. We want to be excellent at everything, right from the get-go.

To wit: This was supposed to be The Year I Wrote a Novel. I’d made this promise to myself before; my hard drive is chock-full of false starts. Invariably, somewhere along the way I’d realize what a mess I was making. I knew the middle part, maybe, but not the beginning or the end. “You’re wasting your time,” a little voice inside my head would say. “Stick to short stories! You’ll waste decades of your life writing a stupid novel no one will publish. You’ll be the most embarrassing kind of person in the world: a novelist manqué!”

My inner voice is a jerk.