Months later, I realized I received more than I expected.

I am glad these free writing events are happening. I get a chance to read other people’s work and help them express themselves and see their work in different ways. I am also able to have poetry I have written (and sometimes feel stuck on) read and critiqued by like-minded individuals. By doing this, I have reworked weak pieces into stronger pieces with the help of workshop attendees.

This is an amazing personal gain. To have a piece of poetry that was stale, stuck and not at its potential read by others is a wonderful gift to receive. The gifts I’ve received go beyond this this, in fact.

I have also been able to watch other people’s writing grow. I have had a number of attendees express hesitation about sharing their work. They have attended one workshop without sharing and then come to another and share. This is beautiful. I have had a few attendees come explaining their art isn’t writing, but they have an appreciation for art. They first observe, then try writing pieces and sharing them next time. This is truly wonderful to watch.

This month’s workshop hit me hard in all of the right ways. Not only did a mixture of the above happen, but something more, something even deeper happened. People shared things that were deep and personal to them through pieces, discussing life, work, the mind, and trauma. Each work reached each reader a little differently, but many related to each other. Relating to one another is an encouraging gift. Along with this, it was said that these workshops allowed people a safe place for them to just be there. We provided people with a safe place to be. I was allowed to watch people express their work, relate to other’s work, encourage work and critique work all while feeling safe.

Not only do some people have a need to view and express themselves with art, but everyone needs a safe place.

This is a great gift to receive through these workshops. I certainly received more than I expected to get.

Thanks to all who allowed for these to gifts to be given. Thanks for the support.

For those considering running a workshop: Do it. Libraries are nice places to start.

For those wanting to attend a community writing workshop, I hope there are easily found workshops in your area. If there aren’t, consider starting your own. And refer to above.

Megan Andreuzzi is an animal lover and a traveler from the New Jersey Shore. She earned a degree from Arcadia University in Glenside, Pennsylvania, USA in Liberal Studies with a dual concentration in writing and a minor in theatre,

Cover Photo by “My Life Through A Lens” on Unsplash

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It was only when I started university that I began to record my ideas in a notebook. Before that, I never wrote regularly.  I suppose I had never taken my writing seriously enough to keep a mostly-empty book of bad and pretentious ideas. Now I take notes religiously, partly because I don’t want to forget a brilliant, million-dollar idea, but mostly because when I’m famous, I’ll want to see how much my old scribbles go for at auction.

When I began keeping notes, my eagerness was stronger than my powers of discernment. I wrote down any old nonsense. In them I see incredibly strange and ridiculous ideas, ideas I wouldn’t find in any of my contemporary notebooks. And this makes me wonder, have I become boring? Or, worse, am I just mistaking being boring for, well, being a more mature writer?

Perhaps the best thing to do would be to show you excerpts from my old notebooks and then work out why my notes have gone from scattered and strange to careful and controlled. So without further ado, my unedited and unashamed notes.

Notebook 1 – 2011:

1. Play Idea – Student/Teacher Affair

• A teacher is in love with a student
• Title: FISHING BY THE POWERPLANT

2. Adam and Eve Novella

• Adam and Eve rewrite, written as Adam talking to God (doctor?) until he leaves hospital having had a broken rib.
• Falling from a tree/snake related if possible?
• Meets Eve through this incident ‘from his rib’
• He is alone, no family, no job, no idea of the world – disabled? Unaware?

3. TOM THE WIZARD TRAIN

4. MEN – Woody Allen, Norman Mailer, Charles Bukowski

Notebook 2 – 2012:

1. Write a play about love and how bad it is.

Or, begin with a terrible play about love – play within a play – set in the future.

2. Plays

• Apocalypse – During then after
• Opening – ‘The scorpions are coming.’
• Halloween theme – two men in a pub. One realizes his friend is the devil.

3. Short Play

• Everyone wins the lottery.

4. Country Boys, episode one.

• He turns up at the door, cow’s giving birth and he has to do it.

Notebook 3 – 2014:

1. Dodo story

• Dodo at some point – time travel.
• Mainly Dutch sailor point of view with dodo sides.
• *But we don’t know it’s a dodo
• Preface it in the modern day, someone being hypnotized
• They’re hypnotized to remember the cause of their –
• Hypnotized by a charlatan who says it’s down to a past misdeed.

2. TV Drama

• A Hippie Commune
• Murder mystery? Invading stranger? Conspiracy? Supernatural.

3. The Fake Death

• He is in the field.
• HE MUST REPLACE THE OLD MAN’S GUN WITH BLANKS, or THE OLD MAN MUST TAKE HIS GUN WHICH HAS BLANKS.

For fear of revealing too much, I will end it there, and let the rest of my fragmented ideas and half-written mental bursts remain a mystery.

When I remind myself of these old ideas and type them out years later, I realize they aren’t so far from the thoughts I have now. Some of them I’ve dismissed more than once. Maybe it’s not that I become more mature or more boring. I might have just become more discerning. Perhaps my degrees and daily writing rituals have, in fact, made me better.

Good for you, you might be thinking, as you wonder whether this is MFA-sponsored content. For only the small price of two-years’ tuition, you too can rid yourself of bad ideas! But this isn’t the point. I have so many bad ideas. Maybe more than ever. It’s just that I no longer take any notice of them. That’s what becoming a better writer is about, isn’t it? Years ago the Adam and Eve novella might have made me think I’d hit my million-dollar idea. Now, however, I just think, I could never make that work.

I have also worked out that having bad ideas is unavoidable. Our brains aren’t supposed to be able to form perfect stories or invent meticulous fictional scenarios. They’re supposed to be able to recognize faces and be afraid of predators and remember where the tasty fruit was. We’re pushing the brain so far beyond its blueprints that it’s no wonder it occasionally misfires and gives us “TOM THE WIZARD TRAIN.”

Then we have to look at the flip side of this coin. Though it might go haywire enough to throw out bad sitcom ideas and vapid script premises, this also means it’s bound to throw out something good every now and then.

Having a whole heap of terrible ideas behind me is just fine. It has taught me to be more picky with how I spend my writing time (and to recognize a good idea when I see one). It’s made me see that having a lot of nonsense going on up there just means I have the kind of brain that is going to keep spewing out ideas, good and bad.

So whether you’re a young writer ashamed of your terrible ideas, a new graduate desperate for a new project to focus on or a seasoned professional, wondering if you’ll ever have a new idea again, I suggest taking a look through your old notebooks. If nothing else, it will remind you that you have a mind that is always working to find that million-dollar idea, even at the cost of having a lot of bad ones.

Josh King received his MFA from Adelphi University in New York, and now lives in the UK. He divides his time between writing fiction, drama and drawing comics.

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